To: huriya@lists.riseup.net
From: horia@riseup.net
Date: Mon, 3 Oct 2005 18:15:15 -0700 (PDT)
Subject: [Pittsburgh] Palestinian poet on New OrleansHURIYA : FREEDOM
Sorry for the double posting. I try to avoid this, but have for some time been meaning to send out a set of recent writings by Suheir Hammad, a Palestinian-American poet who, since Katrina, has been writing and fundraising tirelessly and successfully (one engagement raised $5000) for victims of Katrina.On a related note, you may not have heard that the Palestinian Authority went around Palestinian refugee camps to collect donations for victims of Katrina and thus presented the US with a donation of $10,000.
Anyhow, here is what Suheir Hammad has written. One journal entry (from inside New Orleans), followed by two poems, one of which she read at the recent march in DC and which subsequently aired on Democracy Now:
After and Before the Flood
September 16, 2005If I ever forget what I have seen, I do not know if I will be a blessed or a cursed woman.
I begin with what I brought with me. Loot. Clothes, money, napkins, poetry books, nail polish, vitamins, hope. These I left in Algiers, in the West Bank.
I brought a pretty pair of pajamas. That I left in Baton Rouge.
I brought with me an innocence I did not know I possessed, until I left it in the toxic ravined streets of New Orleans.
My homegirl Jacquie and I got into New Orleans yesterday. She had her camera and I drove the car. She's never been to the Crescent City. She will never see what it was. The Mayor's press conference announced that this was the first time in the history of the city that it has been drug and crime free. We listened to his speech during one of the long hours spent in the car yesterday. Beware, he said, those of you planning on returning to do no good. The city has police even more invested in protecting property. Army, National Guard, M16s, M4s, night vision, and even bazookas, he chuckled, for special people.
The smell is not human, though humanity did manufacture the chemicals and structures that have dissolved into nature, to create it.
Hurricane Katrina did not destroy this city or her poor. Human planning and human response did.
The streets of New Orleans are peppered with so many military vehicles, it appears a film. The 9th ward, which has just been drained of its flood, is empty of its people and heavy with menacing air. The cars that had been underwater are parked, salted. I drove the streets I'd walked down, and knew what hell would look like. What it would smell like. Hell is not just fire, it is water as well.
People lived here and made love here and fought here and ate here and slept here and birthed here and built here and whispered here and cried here and danced here and danced here and danced here and died here and finally they fled here.
It will take me moons and cycles to begin to craft the language I need to transform these words, and myself, into something more than a simple reflection.
Jacquie, Jordan and I then entered the River Center in Baton Rouge to talk with evacuees/refugees/ survivors/victims/people.
I am a poet. I entered through an exit. I brought with me my ancestry and the knowledge that displacement happens internally and externally. Within countries. Within bodies.
The River Center has several shelters set up within it. The one I entered did not allow cameras. We weren't allowed in at all, actually. We said we were press. We were pressed. An evacuee outside, watching a TV set up by TV people, said, just tell them you live here. You don't really need no wrist band. I followed her lead.
The lights are bright. The noise a constant din. A loudspeaker announces things no one understands. People are set up by exits, by communal televisions. Girls are placed in the center of groups of tired adults. There are sick people. There are women who are trading what they have for extra food and blankets.
I am a poet, I said to the Haitian woman folding and refolding her clothes. A classmate had molested her eight-year-old daughter on the school bus earlier in the day. I asked the pretty brown girl with six braids blooming out of her head if she screamed. I don't know how to scream, she said. A woman has to know how to scream, I told her. Her mother nodded. The father is still in Algiers. I asked if they'd heard the Mayor's announcement early yesterday that Algiers would be open on Monday. Oh, thank you, thank god.
A Red Cross worker came over to our huddle. The boy who wouldn't stop touching the girl would be put on a different bus. He and his family are still in the shelter. What is your name again, she asked the mother. I told you my name so many times, she gritted creole.
A three year old girl with cavitied teeth and a runny nose took my hand. Kamani. Her mother was folding and refolding her clothes. Her thirteen-year-old sister taught me a game of cards with me called Pitty Pat. The family is from Jefferson Parish. Twenty of their neighbors had paid a Red Cross person to drive a bus over to the parish. They left her and her three kids behind. I asked what happened, were they late, was there no room? I don't know, I just want to go home. She cried so easy. Like curtains gathered back to view a storm. Kamani is by her mother's leg, rubbing it with no words. This girl looks into me and I give her some of my soul willingly, all the while she is rubbing her mother's leg. They have been here for two weeks.
I leave with Kamani a pretty yellow luggage tag shaped like a chick. Andrew had gifted it to me before I left. I tell her to write her name in the lines, and her address, and attach it to her things now, so when she goes home it can look official.
Next to this family is another one. Next to that one is another one. Next to this one is that one.
There are pregnant women in here. One, from Honduras, is due in a week. Her belly is pressing against her shirt as if to breathe. She has been here since August 31. My sister is pregnant, I tell her. How many months? One. She says the baby is the size of a rice in the sonogram. We laugh. People are so relieved to laugh, it is painful.
Mrs. and Mr. Brown never thought they would ever be in a shelter. He is 82 years old. She gently warns him to not say her age, then says she is a few years behind him. Black don't crack and brown don't frown, I say to them. This laugh is a surprise. I was born and reared in New Orleans, she says. I left my car parked in the street, I thought I'd be back. Her home of thirty-seven years is in Mid-City. I never thought I'd ever be in a shelter.
Trina is scrubbing her white Nike sneakers, her hair half braided, her lip-gloss thick, when I ask her if I can sit down. She finally tracked down her two children last week. Girl, I am fine, now. Around her are diapers and bottles, which she brought with her thinking her kids would be close by. They are in North Carolina with her mother, and she is fine now.
There is every age here. Every hunger. There is no privacy. The showers are outside in tents and they are no more than 5 minutes long, from walking in with your clothes on, to walking out into the street. There are monitors who shout down the seconds so no one takes longer than the allotted time. There are three or four people in there at a time.
There is a cough in the shelter I have never heard before. It escapes the mouths of children as if the earth is shifting inside of them.
Willis is dressed fly. Of course he is from Brooklyn. Of course he got game and wants to pick me up. Then he begins to talk about the flood. Then he begins to say, very carefully, know what I mean, there is something more than storm that killed folk. Know what I mean. We could see water so high right here in one section, know what I mean, and right there, where the other income folk live, know what I mean, it was dry as nothing. Know what I mean?
Everyone I spoke to believes the levies were not destroyed by the storm.
No one I spoke to had heard any of the Mayor's comments about the reconstruction of the city. No one within the shelter was watching the President's news conference. Outside, where folks smoke and breathe, a few gathered around the TVs the TV people had set up. They laughed when he talked about Jazz Funerals and New Orleans culture.
Cher is 32 years old and her husband wants to move them to Dallas, where he can get a job. She has two children and they need stability, she said. It makes sense. I don't know how anyone could leave New Orleans, I told her. Then her face and heart opened. I don't want to go, she whispered. Girl, I know. My people are Palestinians, I told her. Once you leave, you won't be allowed back. She knows. She knows.
The rest of the stories will have to be told in poems. The rest of the voices will have to speak to me over and again in my sleep. I will fold and refold these visions in my mind until I can place them in a corner where they will not be forgotten. Right now, I see nothing else.
After the streets of New Orleans and the aisles of the shelter, I feel as if I have never danced. As if I have never been touched. As if I will never be touched again. If I am ever touched again, who will be able to secure this levy? Who will catch this flood? What will grow from this water?
a prayer band
(September 6, 2005)every thing
you ever paid for
you ever worked on
you ever receivedevery thing
you ever gave away
you ever held on to
you ever forgot aboutevery single thing is one
of every single thing and all
things are goneevery thing i can think to do
to say i feel
is buoyantevery thing is below water
every thing is eroding
every thing is hungrythere is no thing to eat
there is water every where
and there is no thing clean to drinkthe children aren't talking
the nurses have stopped believing
anyone is coming for usthe parish fire chief will never again tell anyone that help is coming
now is the time of rags
now is the indigo of loss
now is the need for cavalrynew orleans
i fell in love with your fine ass poor boys sweating frying catfish blackened life thick women
glossy seasoning bourbon indians beads grit history of races
and losers who still wonnew orleans
i dreamt of living lush within your shuttered eyes
a closet of yellow dresses a breeze on my neck
writing poems for do right men and a daughter of refugeesi have known of displacement
and the tides pulling every thing
that could not be carried within
and some of that tooa jamaican man sings
those who can afford to run will run
what about those who canšt
they will have to stayend of the month tropical depression turned storm
someone whose beloved has drowned
knows what water can do
what water will do to once animated thingsa new orleans man pleads
we have to steal from each other to eat
another gun in hand says we will protect what we have
what belongs to usi have known of fleeing desperate
with children on hips in arms on backs
of house keys strung on necks
of water weighed shoes
disintegrated official papers
leases certificates births deaths taxesi have known of high ways which lead nowhere
of aches in teeth in heads in hands tiedi have known of women raped by strangers by neighbors
of a hunger in humani have known of promises to return
to where you come from
but first any bus going any wheretonight the tigris and the mississippi moan
for each other as sisters
full of unnatural things
flooded with predators and prayersall language bankrupt
how long before hope begins to eat itself?
how many flags must be waved?
when does a man let go of his wifešs hand in order to hold his child?who says this is not the america they know?
what america do they know?
were the poor people so poor they could not be seen?
were the black people so many they could not be counted?
this is not a charge
this is a convictionif death levels us all
then life plays favoritesand life it seems is constructed
of budgets contracts deployments of wards
and automobiles of superstition and tourism
and gasoline but mostly insuranceand insurance it seems is only bought
and only with what cannot be carried within
and some of that tooa city of slave bricked streets
a city of chapel rooms
a city of haintsa crescent city
where will the jazz funeral be held?
when will the children talk?
tonight it is the dead
and dying who are left
and those who would rather not
promise themselves they will returnthey will be there
after everything is gone
and when the saints come
marching like spring
to save us all
On Land and Refuge
(September 11, 2005)I do not wish
To place words in living mouths
Or bury the dead dishonorablyI am not deaf to cries escaping shelters
That citizens are not refugees
Refugees are not AmericansI will not use language
One way or another
To accommodate my comfortI will not look away
All I know is this
No peoples ever choose to claim status of dispossessed
No peoples want pity above compassion
No enslaved peoples ever called themselves slavesWhat do we pledge allegiance to?
A government that leaves its old
To die of thirst surrounded by water
Is a foreign governmentPeople who are streaming
Illiterate into paperwork
Have long ago been abandonedI think of coded language
And all that words carry on their backsI think of how it is always the poor
Who are tagged and boxed with labels
Not of their own choosingI think of my grandparents
And how some called them refugees
Others called them non-existent
They called themselves landless
Which means homelessBefore the hurricane
No tents were prepared for the fleeing
Because Americans do not live in tents
Tents are for Haiti for Bosnia for RwandaRefugees are the rest of the world
Those left to defend their human decency
Against conditions the rich keep their animals from
Those who have too many children
Those who always have open hands and empty bellies
Those whose numbers are massive
Those who seek refuge
From nature's currents and man's resourcesThose who are forgotten in the mean times
Those who remember
Ahmad from Guinea makes my falafel sandwich and says
So this is your countryYes Amadou this my country
And these my peopleEvacuated as if criminal
Rescued by neighbors
Shot by soldiersAdamant they belong
The rest of the world can now see
What I have seenDo not look away
The rest of the world lives here too
In America